Beyond Day SixMy sometimes-daily blog of a photograph or two with a few words, celebrating all the days of life that flow through creation into perspiration, inspiration, reflection, sabbath, and resurrection. It's as Obvious as Can Be
I sort of see a face. But it could be anybody. It could be Christ. It could be anybody. Yes, isn't that the point? Faded PastIn January, we took a side trip through Fayetteville on our way to Huntsville, Alabama. Or one could say, it was sort of on the way, depends how you get there. As we drove the selected route, I couldn't help but notice the building with the painted bricks, and made a quick U-turn. I was caught by the green doors, the faded paint, the shadows of the overhead wires, and even the wooden bench.
Portions of my past have faded as well. It is just as well that some of it has faded, erased, mercifully forgiven. Thank God for grace. Not What It AppearsFor some time Mike had talked to me about seeing this barn and it's unique construction. As we drove up the lane and neared the barn, it looked from the outside like many an old barn with several outbuildings. But we walked around back and I saw why this was no ordinary structure. The outside was covered with weathered boards, but beyond the vertical slats, the walls were constructed of stacked logs.
One could see why it was called stovepipe or stovewood or cordwood construction. The 16" logs were stacked with mortar between each log. The buildings were simple to construct and provided insulation against the cold winters. It's likely 100 years old or more.
We crawled through an opening to see what it looked like from the inside. (We had permission). Mike said, "You have to see it from the inside." And sure enough he was right.
Reminds me that stained glass windows are beautiful from the outside, but you have to go inside to see what it's all about. I think I knew that before. Must be why it's called insight.
There's a Story HereMike said, "When you're done photographing the barn, you've got to see what's in this house." I was visiting Mike and Marcia in Door County, Wisconsin, and Mike had taken me to an abandoned farm to photograph the barns that were constructed in an unusual manner. (I'll save that for another time.) I was fascinated by the barns and the texture and the light, and could barely tear myself away from my photography, but Mike's invitation seemed mysterious. "What's in the house?" He replied that he wasn't going to tell me. "You'll have to see for yourself." As I went in, it seemed like an ordinary empty farmhouse. And it was empty except for one thing. There on the kitchen counter was a half-finished wooden airplane. And so the mystery continued. I saw it, but what did it mean? Why was it left there? Who had begun to build it? Did someone intend to come back and retrieve it? Sometimes in the seeing, there is no resolution, but more questions. There must be a story here...
A Closer LookA few days ago my friend Byron Jorjorian who blogs at http://byronjorjorian.wordpress.com/ posted a photo with the following quote: “In every landscape should reside jewels of abstract art waiting to be discovered.” – Melissa Brown Byron and I have had conversation about abstract art and I found his photo and the quote to be stimulating of my own reflection. Last month as I escaped the cold by being in Florida, Judy and I went one day to Venice, Florida. Many wildlife photographers know about the rookery that is there. Often there is a collection of photographers and tripods and long lenses. That day was no exception and I met several others who were there to photograph the birds. I don't consider myself to specialize in birds although I find them a fascinating subject and a challenge to capture visually. As we stood there, a young Great Blue Heron flew over and landed right next to me. He was too close to even get a picture of him with my 400mm lens. So Judy handed me the other camera with the 70-200 lens and I got several shots.
A New Season
I know it's a picture of waffles, and not pancakes. But you get the "picture"! I am so tired of this cold winter
Is this living in the cityI'm eleven months into retirement and this new journey, and I continually laugh at my self for being concerned that my experience of wildlife in my new home would be limited. I'm enjoying feeding the birds, but I must also be feeding a dozen squirrels, and who knows how many rabbits. Canada geese fly over the deck honking each morning and then reverse the pattern in the evening, often flying so low that I can hear the "squeak" of their wings. And then we had the joy of more than 10 nests of Great Blue Herons just 600 yards south of our house on the far side of the pond. Yep, this must be the city!
Reflection at Breakfast
Reflection at Breakfast Before the rain started this morning I noticed this reflection which suggests a different location than middle Tennessee. Pause and reflect, giving thanks for another morning. Untethered
Untethered! She said, "You look untethered." Wow, I immediately thought, does it show? I've been trying the last nine months, now ten, to be released, untied, unfettered, free of all of the expectations, obligations, responsibilities, duties, restrictions, roles, rules, tensions, and criticisms that have been the daily ritual of my professional life for nearly forty years. I even have found it challenging to separate my authentic, spiritual life from all of the aspects I had to "put on" by my professional role. I always have had that struggle, but the delineation became more stark since I retired.
So for her, this complete stranger, to say just three words which so quickly caught my attention and so fully confirmed my journey into retirement was exhilarating. I had never used that word to describe my quest for the future either prior to my retirement or since. I certainly had not expected this journey into the next phase of my life to take nine months, nor to be completed in an Episcopalian church on Easter morning, with the gift of communion and the sermonic refrain of grace. And so on an evening of art at my granddaughter's school, an unknown young female sculptor announces to me what seems obvious to her and has birthed in me these last nine months with the word "untethered."
Ah, my being untethered was exactly what I have been seeking: to be honestly, nakedly, who I am, to shed all that with which I have been burdened, even imprisoned. So more than a month after the Easter Eucharist was the confirmation that I had turned another direction and that I was free from regret and resentment. And I am delighted that these two pronouncements, occurring in a makeshift art gallery and a traditional liturgy with its so very familiar rehearsal of grace, combine to propel me into the future...
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